Less Partying, More Loving In Top 10 Hits: Q1-2012 Pop Trends

The first quarter of 2012 yielded some key shifts in hit songwriting Trends that went into shaping the 21 top ten songs landing on the Billboard Pop Songs Chart during the quarter.
Amongst the categories most affected were primary instrumentation (the lone synth isn’t as popular as it once was,) lead vocal gender (men – you have some company,) lyrical themes (a lot less partying and a lot more loving going on,) and most of all, primary sub-genre influences (“fusion” is now the name of the game more than ever – sorry, “straight-up dance!”)

Read this report to see what’s in, what’s out and where things are going in regard to how today’s hit songwriters are crafting today’s top charting songs!

  • May 1, 2012
  • By David Penn
  • Posted in: Bonus
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SUB-GENRE MASHUP: Hit Pop Songwriting In Q1-2012

This report provides you with an in-depth look at the most dominant sub-genre influences that shaped the sound of the 21 Top 10 Hit Pop Songs during Q1-2012.
As you would expect, straight-up Dance/Club influenced songs continued to dominate (though down slightly from the previous quarter,) while straight-up Rock & Hip-Hop/Rap influenced songs were nowhere to be found.

However, what you wouldn’t necessarily expect is the significant increase in the number of songs that possess a mix of dominant sub-genre influences in their framework. For example, Hip Hop/Rap verses fusing with Pop/Rock choruses in Gym Class Heroes’ Ass Back Home, and Pop/Rock verses fusing with Dance/Club choruses in Kelly Clarkson’s Stronger.

This report includes a new section focusing on these “mixed influence” songs, showing you where each specific sub-genre influence occurs and how it shapes the overall sound of the song.

Regardless of which sub-genre category you’re looking at, there were certain compositional commonalities that all 21 Top 10 Hits share, including intro lengths, first chorus occurrences, lyrical themes and more. Read this report to find out what they are!

To get a full understanding of how independent sub-genres including Dance/Club, Hip Hop/Rap, R&B/Soul and Rock are shaping today’s top charting Pop hits, please log in.

  • April 9, 2012
  • By David Penn
  • Posted in: Bonus
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The “Model” Hit Pop Song & Q4 In Review

This report provides you with a concise review of the characteristics and attributes that drove the twenty one top 10 songs that landed on the Billboard Pop Songs Chart during Q4-2011.

The “Model” Hit Pop Song: See what the “model” hit Pop song looked like based on the top attributes of all 21 top 10 hit Pop songs during the quarter.

Song Structure: A detailed look at key components that shaped all 21 top 10 hit Pop songs including intros, outros, choruses, bridges, pre-choruses, form and more.

Song Attributes: See how key attributes shaped the top hits of the quarter including sub-genre influences, lyrical themes, lead vocal gender, primary instrumentation and more.

Trend Watch: Key trends that affect today’s hit Pop songs including Sub-Genres, Lyrical Themes, Lead Vocal Gender and Instrumentation.

New Arrivals Vs. De-Charted Hits: See what’s in and what’s out based on the elements and attributes of the songs that entered the top 10 for the first time during Q4-2011 and the songs that were in the top 10 in Q3 but didn’t make it into Q4.

The Hit Makers: See who the top songwriters were and the hits they were involved in crafting.

The #1 Hit Club: All of the songs that hit #1 on the Billboard Pop Songs Chart during the quarter.

  • March 5, 2012
  • By David Penn
  • Posted in: Bonus
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Hit Songwriting Trends In Pop: Q4-2011

The 4th quarter of 2011 saw 21 songs land in the top 10 on the Billboard Pop Songs chart, led by #1 hits including We Found Love, Moves Like Jagger, Party Rock Anthem and Last Friday Night (T.G.I.F.) to name just a few.
The attributes of those 21 songs defined the hit Pop songwriting trends of the quarter. Some of the findings are what you would expect, including A-B-A-B-C-B remaining the dominant form, short intro lengths, few solos and electric based instrumentation (as opposed to acoustic).

But there were a few findings that were a complete break from recent trends.
Read on to find out what they were!

NEW FEATURE! The report now includes a quick “at-a-glance” section detailing the trend shifts that occurred during the quarter – showing you what’s on the rise, what’s in decline and what’s remaining stable.

  • February 13, 2012
  • By David Penn
  • Posted in: Bonus
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Who’s Writing the Hits? Q4-2011

Unless you’re in the music industry (or a hardcore music fan), chances are that you’ve probably never heard the names of people like Max Martin, Lukasz Gottwald, Tor Hermansen, Ari Levine, Ester Dean or Philip Lawrence, to name just a few. Most casual music listeners are totally unaware that today’s hits are crafted by “teams” of top-notch songwriters who collaborate with each other on various projects.
Our latest report, “Who’s Writing The Hits – Q4-2011,” gives well deserved recognition to these hit-makers, spotlighting the top collaborative partnerships, the #1 hit club of Q4, a breakdown of every top 10 hit with the songwriters who crafted them and much more.

Highlights Include:

• There were 79 credited songwriters involved in crafting the 21 top 10 hits that landed on the Billboard Pop Songs chart during Q4-2011. That’s an average of 4 writers per song!

• There were a number of successful collaborative partnerships during the quarter, with Adam Levine, Ammar Malik and Benny Blanco leading the pack with two #1 hits.

• Of all the sub-genres influencing today’s hits, Hip Hop/Rap featured more collaborators per song than any other sub-genre influence.

• Of the 21 top 10 hit Pop songs during the quarter, only three featured one credited songwriter per song.

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Sub-Genre Influences In Pop: Q4-2011

The vast majority of today’s hit Pop songs are not “straight-up” Pop in nature. They exhibit qualities from other genres in their framework, possessing a “fusion” based compositional quality.

This report provides you with an in-depth look at the most dominant sub-genre influences present in Top 10 Hit Pop Songs last quarter. By grouping each song from Q4-2011 into specific categories, the report spotlights important compositional characteristics residing in each. The report includes a detailed look at lyrical themes, form, vocal gender, sectional, primary instrumentation and much more.

NEW FEATURE! The report now includes what the “Model” Hit Pop Song would look like for each sub-genre category during the quarter!

Some interesting facts that came to light during the course of the analysis include:

• The vast majority of songs (57%) possessed a strong Dance/Club sub-genre influence, with half of them reaching #1 on the Pop songs chart during Q4-2011.

• Females and males were tied when it came to lead vocal gender in the Dance/Club category, while males dominated Hip Hop/Rap, R&B/Soul and Rock.

• All of the primary sub-genre categories shared some common attributes, including song lengths landing in the mid to upper 3:00 range, short intros that averaged around 0:14, a “Hooking Up” or “Love/Relationship” based lyrical theme as well as many others.

Check out the report for a full understanding as to how independent sub-genres including Dance/Club, Hip Hop/Rap, R&B/Soul and Rock are shaping today’s top charting Pop hits!

  • January 1, 2012
  • By David Penn
  • Posted in: Bonus
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#1 Hits Deconstructed: Pop Q3-2011

Find out what made Pop Songs from Q3 a #1 Hit in the latest Hit Songs Deconstructed Report!

Our latest report provides an in-depth look into how today’s top hitmakers, such as Max Martin, Dr. Luke, Shellback, Bonnie McKee and others, crafted the songs that hit #1 during Q3-2011!

Report highlights include:

Dance/Club influenced Pop songs accounted for the vast majority of #1 Pop hits during Q3-2011 (four out of seven songs). Of those four, three possessed a Hooking Up lyrical theme.

• On average, first choruses occurred 0:39 (18%) into the song and accounted for between 45% and 55% of the song’s total composition.

• Woman reigned supreme when it came to lead vocal gender in #1 Pop hits during the quarter (57%). Conversely, when you look at all of the top 10 hits during the quarter, woman only accounted for 32% of songs while men accounted for 50%.

• On Average, #1 hit Pop songs have their song title appearing 12 times within the song.

By reading this report you’ll have a full understanding of all the elements that drove the #1 hits from Q3-2011 including structure, lyrical themes, song title usage, sub-genre influences,primary instrumentation and much more.

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