Hit Pop Sub-Genre Influences: Q1-2013

FUSION & BALLADS ARE HOT

Our latest report spotlights the individual sub-genre influences that helped shape the sound of the 23 top 10 songs that landed on the Billboard Pop Songs chart last quarter.

In this report we explore:

• The 14 individual sub-genres that helped shape the sound of songs possessing a fusion of influences

• The 2 most popular methods used to fuse multiple sub-genres within a song, and how was it done

• The only sub-genre category that yielded #1 hits during the quarter

• The sub-genre influence that was the big gainer during the quarter, and the one that lost substantial ground (you may be surprised!)

• The sub-genre category that had the majority of its songs feature a duet

• The compositional characteristics that sub-genres have in common and how they differ

And more!

  • May 13, 2013
  • By David Penn
  • Posted in: Bonus
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Stay Deconstructed

Artist: Rihanna
Song: Stay
Album: Unapologetic
Genre: Pop

Released as the second single from her latest album, Unapologetic, Stay finds Rihanna teaming up with Mikky Ekko on this emotional tour de force of a ballad that to-date has hit #1 in 6 countries and landed in the top 5 on 28 charts.

As you’ll see within the report, not only is Stay exceptionally well crafted, but it also possesses that rare commodity, “raw human emotion,” that enables it to connect and resonate with the listener on a deep, emotional and personal level.

Stay Deconstructed explores what made this song a hit including:

• A comprehensive look at the inner workings of the song including melody, structure, lyrics, vocals, MTI, instrumentation and much more.

• Does Stay qualify as a “holy sh*t, you gotta hear this now!” song, and if so, why?

• How does Stay compare to other songs that are currently topping the charts?

External factors that played a role in Stay’s widespread visibility and success.

• How important is the “human element” in fostering longevity?

Songwriter/Producer takeaways culled from what made the song a hit

And much more!

  • April 23, 2013
  • By David Penn
  • Posted in: Pop
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Who’s Writing the Hits? Q1-2013

89 SONGWRITERS, 23 TOP 10 HITS & A NEW
“HIT SONGWRITING CHAMPION”

One writer scores FIVE top 10 hits on the Pop Songs Chart

During the first quarter of 2013, 89 songwriters were involved in crafting the 23 songs that landed in the Billboard Pop Songs top 10. But most notably, one in particular saw FIVE of his co-writes reach the upper limits of the chart!

Find out which songwriter was involved in co-writing 22% of Q1’s chart-topping Pop Hits!

Who’s Writing the Hits? gives well deserved recognition to the top Pop songwriters of the quarter, spotlighting the top collaborative partnerships, the #1 hit club of Q1, a breakdown of every top 10 hit with the songwriters who crafted them and much more.

Additional report highlights include:

    • Which songwriter reclaimed his status as “Hit Songwriting Champion” after a two quarter absence?

    • Which songwriting teams stood out from the pack based on overall chart performance and superior craft?

    • Which songwriters did Ke$ha enlist in her “All Star” teams to craft her 2 latest chart-topping hits?

    • Which three artists DID NOT receive a writing credit on the songs that they perform?

Read the report to find out the answers and much more!

  • April 23, 2013
  • By David Penn
  • Posted in: Bonus
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Q1-2013 Hit Songwriting Trends In Pop

KEY SHIFTS IN SUB-GENRES, LYRICAL THEMES, INSTRUMENTATION & MORE

The first quarter of 2013 yielded some key shifts in Hit Songwriting Trends that went into shaping the 23 songs that landed in the Billboard Pop Songs top 10 during the quarter.

Some of the categories most affected in Q1-2013 include:

Primary Sub-Genre Influences: Which 2 sub-genres made a return appearance to the top 10 after a long absence, and which saw a moderate decline?

Lyrical Themes: Which lyrical theme saw a decline in number for the first time in over a year, and which has been steadily increasing over the last couple of quarters?

Lead Vocal Gender: Did songs featuring a female lead vocal finally make a comeback during the first quarter of the year?

Instrumentation: Are acoustic and electric/acoustic combo songs the wave of the future in the Pop genre?

Read this report to see what’s in, what’s out and what trends are shaping today’s top charting Pop songs!

  • April 8, 2013
  • By David Penn
  • Posted in: Bonus
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Ho Hey Deconstructed

Artist: The Lumineers
Song: Ho Hey
Album: The Lumineers
Genre: Folk

When most people describe the current Rock and Pop mainstream, the one term that usually doesn’t come up is “human element.”

Ho Hey on the other hand stands out from the pack by exuding raw human emotion on all levels while utilizing stellar craft fundamentals to “package” that emotion in a manner that enabled the song to connect and resonate on a global scale.

To date, Ho Hey has landed in the top 10 in 15 countries and has hit #1 on charts including the U.S. Rock, Alternative and Adult Pop songs charts.

If you want to see an example of an exceptionally well crafted song that is strong on all fronts, then look no further than Ho Hey.

Ho Hey Deconstructed includes:

• An evaluation of how Ho Hey compares to the songs currently topping the charts in the Pop genre.

• A comprehensive look at the inner workings of the song including melody, structure, lyrics, vocals, MTI, instrumentation and much more.

• An exploration of A&R hit factors including:

– What role did licensing and social media play in Ho Hey’s success?

– What were the 6 key factors that contributed to Ho Hey’s wide demographic reach?

– Is the longevity of the Lumineers dependent upon the sustainability of the current Folk revival?

– How important was the “gimmick” in accentuating Ho Hey’s success potential? Could it have achieved the same success without?

Songwriter/Producer takeaways culled from what made the song a hit.

• And MUCH More!

  • March 15, 2013
  • By David Penn
  • Posted in: Pop
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Pop Fusion – The New Mainstream

Our latest report provides you with a comprehensive picture of the characteristics and attributes that shaped the 21 top 10 songs that landed on the Billboard Pop Songs chart during the last quarter of 2012.
Every hit songwriting aspect is covered in-depth, including sub-genres and instrumentation, lyrical themes and vocal gender, structure and tempo, new top 10 arrivals vs. decharted hits, and much, much more.

After reading this report you’ll not only have a comprehensive understanding of the hit songwriting characteristics that define today’s top-charting mainstream Pop scene, but you’ll also find out best practices that when applied to your own unique style will take your success potential to the next level.

Read this report to find out:

• What were the key compositional similarities and differences between the songs that entered into the top 10 for the first time in Q4 vs. those that didn’t make it back in from Q3?

• What were the 9 most popular methods used to end a song, leaving the listener wanting more?

• Which combination of lyrical themes defined the “lyrical fusion” songs of the quarter?

• What were the 5 top characteristics of top 10 intros besides being short? Which were the most effective and memorable?

• Which combination of sub-genres are having the greatest impact on top 10 hit Pop songs? Which aren’t?

• Which were the most popular combinations of instrumentation being utilized in top-charting hits?

Plus MUCH more!

  • March 8, 2013
  • By David Penn
  • Posted in: Bonus
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Scream & Shout Deconstructed

Artist: Will.i.am featuring Britney Spears
Song: Scream & Shout
Album: #willpower
Genre: Pop

Futuristic, egotistic, repetitive, dark, evocative, generic, clever, cliché, unique, familiar, ultra-infectious, fun and of course, “Britney bitch!” These are just some of the terms that describe Will.i.am’s collaboration with Britney Spears on the third single from his forthcoming album, #willpower.

To-date Scream & Shout has hit #1 in 21 countries on 23 charts throughout the world, so suffice it to say that the song contains a host of hit factors that enabled it to rise to the top.

However, the song ALSO possesses certain characteristics that should be avoided by up and coming songwriters at all costs. Read this report to find out what they are!

Scream & Shout Deconstructed includes:

• A comprehensive look at the inner workings of the song including melody, structure, lyrics, vocals, MTI, instrumentation and much more.

• An exploration of A&R hit factors including:
– Was Britney Spears the right choice as a collaborator?
– Does the song come across as unique in the current Pop mainstream?
– What core factors affected its demographic reach?
– Is this a song that’s destined for longevity or is it a “hit & run” single?

• An evaluation of how Scream & Shout compares to the songs currently topping the charts in the Pop genre. Does the song stand out or blend in? What’s its differential advantage?

Songwriter/Producer takeaways culled from what made the song a hit.

And MUCH More!

  • February 15, 2013
  • By David Penn
  • Posted in: Pop
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